This splendid statue represents Lord Buddha as the teacher of the universe. It is a classic of Buddhist iconography and one of the most widely and popularly represented forms of the Great Master. The glow that reigns his face is born of the enlightenment which he had attained by the time he came out to teach the world and the sublimity and the divine calm that characterise his entire being are reflections of his great spiritual strength. The statue is a blend of three great sculptural art styles of Buddhist iconography and in the toughest of the medium creates the softest of feelings. In combines in its features and facial dimensions the Mathura art of early Christian era and votive iconography of traditional Tibetan art and in its unique emotions of serenity and divinity and in its celestial composure it has reflections of great Gupta art.
'Dharmachakra-pravartana' and teaching Buddha are two most significant aspects of Buddhist legend. Buddha, when after years of wandering and abandoned and deserted by all and despite multiple obstructions he was able at attain enlightenment and became all knowing, he decided to communicate himself to the world. He rose from under the Pipal tree where he had been sitting in rigorous penance and proceeded to Sarnatha. In the Deer Park he met Ramaputra Rudraka's five disciples who had deserted him earlier. The divine glow on Buddha's face led them to prostrate before him. Buddha delivered to them his ever first sermon and put the wheel of righteousness in motion. In Buddhist tradition this event has been defined as the 'Dharmachakra-pravartana'. Thereafter Buddha moved from this land to that enlightening people as against their false fear of old age, sickness and death and as to how sorrows could be conquered and supreme real blissed attained. This phase of his life has been widely and vividly depicted in Buddhist literature and art and has been defined as his universal teacher form.
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